Constructing Postmodernism
Postmodernism is not a found object, but a manufactured artifact. Beginning from this constructivist premise, Brian McHale develops a series of readings of problematically postmodernist novels - Joyce's Ulysses, Pynchon's Gravity's Rainbow and Vineland, Eco's The Name of the Rose and Foucault's Pendulum, the novels of Joseph McElroy and Christine Brooke-Rose, avant-garde works such as Kathy Acker's Empire of the Senseless, and the works of cyberpunk science-fiction by William Gibson, Bruce Sterling, Lewis Shiner, Rudy Rucker and others.
Although mainly focused on 'high' or 'elite' cultural products - 'art' novels - Constructing Postmodernism relates these products to such phenomena of postmodern popular culture as television and the cinema, paranoia and nuclear apocalypse, angelology and the cybernetic interface, and death, now as always (in spite of what Captain Kirk says) the true Final Frontier.
McHale's previous book, Postmodernist Fiction, had seemed to propose a single, all-inclusive inventory of postmodernist poetics. This book, by contrast, proposes multiple, overlapping and interesting inventories - not a construction of postmodernism, but a plurality of constructions.
Postmodernism is not a found object, but a manufactured artifact. Beginning from this constructivist premise, Brian McHale develops a series of readings of problematically postmodernist novels - Joyce's Ulysses, Pynchon's Gravity's Rainbow and Vineland, Eco's The Name of the Rose and Foucault's Pendulum, the novels of Joseph McElroy and Christine Brooke-Rose, avant-garde works such as Kathy Acker's Empire of the Senseless, and the works of cyberpunk science-fiction by William Gibson, Bruce Sterling, Lewis Shiner, Rudy Rucker and others.
Although mainly focused on 'high' or 'elite' cultural products - 'art' novels - Constructing Postmodernism relates these products to such phenomena of postmodern popular culture as television and the cinema, paranoia and nuclear apocalypse, angelology and the cybernetic interface, and death, now as always (in spite of what Captain Kirk says) the true Final Frontier.
McHale's previous book, Postmodernist Fiction, had seemed to propose a single, all-inclusive inventory of postmodernist poetics. This book, by contrast, proposes multiple, overlapping and interesting inventories - not a construction of postmodernism, but a plurality of constructions.
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$68.80Description
Postmodernism is not a found object, but a manufactured artifact. Beginning from this constructivist premise, Brian McHale develops a series of readings of problematically postmodernist novels - Joyce's Ulysses, Pynchon's Gravity's Rainbow and Vineland, Eco's The Name of the Rose and Foucault's Pendulum, the novels of Joseph McElroy and Christine Brooke-Rose, avant-garde works such as Kathy Acker's Empire of the Senseless, and the works of cyberpunk science-fiction by William Gibson, Bruce Sterling, Lewis Shiner, Rudy Rucker and others.
Although mainly focused on 'high' or 'elite' cultural products - 'art' novels - Constructing Postmodernism relates these products to such phenomena of postmodern popular culture as television and the cinema, paranoia and nuclear apocalypse, angelology and the cybernetic interface, and death, now as always (in spite of what Captain Kirk says) the true Final Frontier.
McHale's previous book, Postmodernist Fiction, had seemed to propose a single, all-inclusive inventory of postmodernist poetics. This book, by contrast, proposes multiple, overlapping and interesting inventories - not a construction of postmodernism, but a plurality of constructions.
