Cyanotype is the most accessible and frequently used of all the alternative photographic processes. When utilised properly, it has the potential to rival other processes in terms of detail and tonal range, but its Prussian blue colour isn’t always suitable for the final photograph. Throughout history, cyanotype prints have been toned with various—and at times hazardous—chemicals, as well as more natural ingredients like tea and coffee. Since the cyanotype itself is non-toxic, Cyanotype Toning champions an innovative process, developed by the author, of toning cyanotypes with natural material. This process, which is easy and reliable, offers a much broader range of possible colours and even beautiful black and whites. Duotone or tricolour prints can also be achieved.

The book consists of two parts. Part One is a step-by-step how-to section, providing all the information that a student at any level needs to achieve a successfully toned print. Easy-to-understand background information is provided on how and why the process works, enabling readers to explore the world of natural colours independently. The first part also includes a detailed section on factors that can influence the outcome, such as paper choice, water quality, properties of the plants, temperature of the bath, and the duration of the toning.

Part Two is devoted to contemporary artists who have explored toning with botanicals and integrated the process into their creative practice.

The book includes:

• A list of equipment and supplies needed.
• In-depth information about useful plants and the specific properties that make them suitable for toning cyanotypes.
• Concise step-by-step instructions for printing cyanotypes successfully.
• A chart of more than 60 tested papers with recommendations on paper choice.
• Step-by-step generic instructions on toning with botanicals.
• Troubleshooting toning with botanicals.
• More detailed recipes for specific colours with information about the plants.
• Step-by-step instructions on how to print duotone and tricolour prints.
• A range of creative ideas on how to use the process in classrooms and with different age groups.
• A comprehensive list of more than 380 tested parts of plants and possible colour outcomes.

Using botanicals to tone cyanotypes broadens the colour spectrum, enlarges creative possibilities, and makes the cyanotype process even more versatile. The process is not a cut-and-dried science but a limitless field for discovery and surprises. Cyanotype Toning provides accessible information and instructions for readers at all levels. It is comprehensive and explanatory, allowing readers to expand on the subject independently, as did the contemporary artists who share their experiences and the works they have created using this innovative toning process.