Foucault on Painting
Catherine M. Soussloff argues that Michel Foucault's sustained engagement with European art history critically addresses present concerns about the mediated nature of the image in the digital age. She explores the meaning of painting for Foucault's philosophy, and for contemporary art theory, proposing a new relevance for a Foucauldian view of ethics and the pleasures and predicaments of contemporary existence.
Foucault on Painting examines how Foucault's insights can be applied to current artistic and philosophical discussions, highlighting the significance of his thought in understanding both historical and modern contexts.
Catherine M. Soussloff argues that Michel Foucault's sustained engagement with European art history critically addresses present concerns about the mediated nature of the image in the digital age. She explores the meaning of painting for Foucault's philosophy, and for contemporary art theory, proposing a new relevance for a Foucauldian view of ethics and the pleasures and predicaments of contemporary existence.
Foucault on Painting examines how Foucault's insights can be applied to current artistic and philosophical discussions, highlighting the significance of his thought in understanding both historical and modern contexts.
Description
Catherine M. Soussloff argues that Michel Foucault's sustained engagement with European art history critically addresses present concerns about the mediated nature of the image in the digital age. She explores the meaning of painting for Foucault's philosophy, and for contemporary art theory, proposing a new relevance for a Foucauldian view of ethics and the pleasures and predicaments of contemporary existence.
Foucault on Painting examines how Foucault's insights can be applied to current artistic and philosophical discussions, highlighting the significance of his thought in understanding both historical and modern contexts.
