Non–Construction – An Architectural Gesture in Artistic Research
By defining a concept of architecture based on the tactile experience and not on construction, this book allows us to explore both discursive practice as the study of architectural art and the integration of architectural art as a discourse of spatial practice.
In order to take on this new lens, Non-Construction utilises a cinematographic documentary image strategy that engages with a critical spatial exploration of current entanglements of art and research at the crossroads of art, theory, and architecture.
A challenge to visual conventions, this book offers conceptual and aesthetic insights into spiralling and voiding sensual experiences, with implications for the decolonisation of the documentary and cinematographic reaching far beyond architecture.
By defining a concept of architecture based on the tactile experience and not on construction, this book allows us to explore both discursive practice as the study of architectural art and the integration of architectural art as a discourse of spatial practice.
In order to take on this new lens, Non-Construction utilises a cinematographic documentary image strategy that engages with a critical spatial exploration of current entanglements of art and research at the crossroads of art, theory, and architecture.
A challenge to visual conventions, this book offers conceptual and aesthetic insights into spiralling and voiding sensual experiences, with implications for the decolonisation of the documentary and cinematographic reaching far beyond architecture.
Description
By defining a concept of architecture based on the tactile experience and not on construction, this book allows us to explore both discursive practice as the study of architectural art and the integration of architectural art as a discourse of spatial practice.
In order to take on this new lens, Non-Construction utilises a cinematographic documentary image strategy that engages with a critical spatial exploration of current entanglements of art and research at the crossroads of art, theory, and architecture.
A challenge to visual conventions, this book offers conceptual and aesthetic insights into spiralling and voiding sensual experiences, with implications for the decolonisation of the documentary and cinematographic reaching far beyond architecture.
