The New Woman Gothic
The controversial and compelling figure of the New Woman in late Victorian fiction has garnered extensive scholarly attention, but rarely has she been investigated through the fascinating lens of the Gothic.
Yet the presence of sinister Gothic elements is so widespread in the generally realistic British novels that the term The New Woman Gothic readily comes to mind. Drawing from and reworking Gothic conventions of Romantic and later literature, the New Woman version is marshalled during this tumultuous cultural moment of gender anxieties either to defend or revile the complex individual who sought improvements in educational, marital, and professional realms.
The controversial and compelling figure of the New Woman in late Victorian fiction has garnered extensive scholarly attention, but rarely has she been investigated through the fascinating lens of the Gothic.
Yet the presence of sinister Gothic elements is so widespread in the generally realistic British novels that the term The New Woman Gothic readily comes to mind. Drawing from and reworking Gothic conventions of Romantic and later literature, the New Woman version is marshalled during this tumultuous cultural moment of gender anxieties either to defend or revile the complex individual who sought improvements in educational, marital, and professional realms.
Description
The controversial and compelling figure of the New Woman in late Victorian fiction has garnered extensive scholarly attention, but rarely has she been investigated through the fascinating lens of the Gothic.
Yet the presence of sinister Gothic elements is so widespread in the generally realistic British novels that the term The New Woman Gothic readily comes to mind. Drawing from and reworking Gothic conventions of Romantic and later literature, the New Woman version is marshalled during this tumultuous cultural moment of gender anxieties either to defend or revile the complex individual who sought improvements in educational, marital, and professional realms.
